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PLEASE READ CAREFULLY BEFORE USE OF THIS PRODUCTFA I LU R ETO FO LLOWT H EI NST RU C TI O NSP R I N TE DB E LOWM AY VO I DWA R R A N TY¥ Follow all security advice printed on your mixer
¥When removing the unit's AC plug from the power source, grasp and pull the
plug, NEVER the cord itself!
¥ Avoid placing your mixer near heat sources, such as power amplifiers.
¥When in use, place your mixer on a stable surface, away from vibration. Always
use care when carrying your mixer. Impact, or heavy vibration may compromise
the unit's mechanical integrity.The manufacturer is not responsible for damage
resulting from an impact, or misuse.
¥When in use, place your mixer away from sources of hum or noise, such as
transformers, or electric motors.
¥ To prevent overheating, always provide your mixer with adequate ventilation
air space.
¥ Avoid stepping on your mixer's AC cord. Repeated compression of the cord
may lead to electrical shorting.
¥ To avoid damage due to AC voltage peaks, always disconnect your mixer from
the power source during electrical storms.
¥ Your mixer contains no user-serviceable parts. The manufacturer is not
responsible for any damage or personal injury resulting from unauthorized
user-servicing or modifications. In addition, the warranty will be void if any
unauthorized service by the user is detected. Always return you mixer to an
authorized Stanton dealer for servicing.Thank you for making Stanton your first choice in professional DJ mixers.
This new, innovative family of mixers has been developed with input from the profes-
sional DJ community, bringing to the marketplace a previously unavailable, afford-
able combination of user-friendly, functional design, rugged construction, and pro-
fessional quality features.
Stanton and your authorized Stanton dealer are dedicated to your complete satisfac-
tion by offering benchmark service and support throughout the long life of your
Stanton product.
Again, we appreciate your patronage, and look forward to many years of making
music together.
Problem
Excessive hum when using
phono source.
Low frequency hum while
operating source unit.Cause
Poor ground connection.
Loose cartridge/headshell
connection.
Poor AC source ground.
Loose input/output connec-
tion. Shorted cable.Solution
Properly connect turntable
ground wire to mixer ground
terminal.
Check cartridge connection
to headshell. Check head-
shell connection to tonearm.
Properly ground the AC
source. Check all input and
output connections for
s e c u re fit. Isolate and re p l a c e
the damaged cable.
Pro g ram volume canÕt be
adjusted with master vo l u m e
c o n t ro l .
No powe r.Amplifier or outboard gear
connected to the re c o rd out-
put.
I m p roperly connected AC cord
or power line source not on.Connect amplifier or outboard
gear to master output.
Properly connect AC cord to
AC power source. Turn powe r
on.
The amplifier is turned up,
but there is no signal.
No signal in headphones.Faulty output connections
Improper level adjustment.
Improper connection.
Improper level or cue mix
settings.Properly connect amplifier, or
outboard gear to mixer.
Properly set crossfader,
channel faders, gain con-
trols, and input selector tog-
gles.
Check headphone connec-
tion to mixer. Tighten if nec-
essary.
Adjust headphone level and
cue mix to the proper level
and channel settings. T RO U B LE S H O OTI N GS P E C I A LP RO TE K TI O N
Your SK FIVE comes with a special PROTEKTª aluminum panel designed to
make the surface of the mixer is as smooth as possible while still enablingyou
to field-replace key components. The PROTEKTª panel covers all screwsthat
may get in the way ofyour performance. You can still easily remove the front
panel to replace any of the modular parts whichare subject to wear and tear:
crossfader, input faders and input toggle switches.
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1. Gain control: Controls the input sensitivity of each channel.2
. Input selector switches: Selects phono or line inputs.
3. Master level control:Controls the overall signal output level.
4. Mic gain control: Controls the overall microphone output level.
5. Channel fader: Controls the input channel level.
6. Crossfader Reverse LED:Bi-color LED indicates the status of the crossfader reverse
function. When LED is green, the crossfader is normal. When LED is red, the crossfad-
er direction is reversed.
7. Crossfader:Fades the master output between channels 1 and 2.
8. Power switch: Selects power "ON" or "OFF".
9. Cue pan: Fades the headphone output between channels 1 and 2, effectively allowing
the user to preview a mix.
10. Headphone level control: Controls the overall headphone output level. It is recom-
mended headphones with an impedance rating of 200 ohms or less be used for maxi-
mum volume.
11. Input Level Meter:Monitors each channelÕs input level.
12. Microphone input: 1/4Ó connector
13. Crossfader Curve adjustment: Adjusts the shape of the crossfader curve from a quick
cut for scratching and cutting to a longer fade for mixing.
14. Crossfader Reverse: Reverses the direction of the crossfader. Bi-color LED indicates
the status of the crossfader reverse function. When LED is green, the crossfader is
normal. When LED is red, the crossfader direction is reversed.
15. Headphone Mute: Mutes the headphone signal output
16.Headphone output: Connection for 1/4 inch headphone. Recommended headphone
impedance is 32-200 ohms for maximum volume.
17. Power supply connector: Input connection for the accompanying power supply.
18. Master output: TRS balanced (1/4Ó).
19. Master output: unbalanced RCA connector
20. REC output:record output connects directly to recording source (tape deck, CD...)
21/22. Channel inputs: Line and phono signal inputs. Line inputs are used to connect
to line level sources such as CD players, samplers, tape players, etc. Phono
inputs are used to connect to turntables.
23. Ground connector:Connects to the turntable ground connector to eliminate electri-
cal hum. Ground connectors usually supplied with turntables.D E S C R I P TI O N O F FU N C TI O NS