Shure 1972 catalogue professional entertainer products

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E_®

MICROPHONES / MIXERS / ACCESSORIES

94*

THE 5TH DIMENSION

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1"} INES Slll'llE DIIIRflPflflNES . . .

Thu Sth L)llllt"ll\l()II tshoxyn on lltt (UVUII is just one or the) many
world-tamnm igtoups and portin'iner'S who hayi- .standnrrlizml on Show
l1]l(f()[)l't(tflt\_ A to oi [ITL' ntlwrs? Rod Stewart .incl laces, MiLk Jagger
and the Rolling Stones, Sha Na Na. Caryn-interns, Friends nt L)ISI.IDCIIOIT,
the Who, [yd /i-t.ipolin, Judy COUNTS, Paul Anka, Andy \Villidrns,
lohnm' Mathi» lohn (Amy. Tho Ilvriih Boym The Dells, The Lottermun,
and Sergio .\It"ll(l("$ &- Brawl '77. ()n tlw Country Scone . . . Bill
."\tt(l(t\()tl, l-Johhy {flare}. loin T Hall, (marge Innos, Lori-Ha Lynn,
Bartram i\Igtt:tlltll, (lmrlw- Rirh, Marilyn Sellers, ("inwuziy Twitty,
lanuny \Nyni-ttig .mrl so many others we can't list them all. The point
ix, (f\'tr\(tnr_~ Whoa someone in contemporary music mrrios Shure
uni riltjrhom-x for All their liu [)LWIUI'DLHHCSI

\'0Ilt .IH'IIOIIHINE
IS \'0I"ll LINK 'I'IH 3'0l'll .-\l'lIlI§N('li

lake it from the pros" . . . (homo your microphone With (are! It IS d.
yital to your art as a musical IIISII'UITHITI. You rather than truxting to "chance" and tmng an untamiliar unit provided
by a C'lUI) or auditorium, .t\r,(urding tr.) leading prertrgurmers, you Sl1t.)Ul(l
practir 0 thing your mir;rnphonr) until your microphone ICL hniqtti: ix" as
competent and [NOICHSIODJI as your tmtiunir-ntal or vocal l('(l'lt'll(tU(".

A good tuirfrophorw In the hanClS. ("rt .1 [)LIIIJIIHCI who knows how to
USP it (lilhllleCS him as a HUD "pin," while an interior rnirmphnnr- int
mii rophono ltCITHICtLlCZ (an hamper ynur "projutinn" intrnedwtdhly.

-\s with a musiial inxtrumvnt, thr~ mirmphunc should l)t'_ ax ling-.1 unit
as your budget allmw. lhe IITICIODIHTHTEH in thir. hmchurr' dlt? anmially
dengned tnt prolwsmnal entertainers Lind are, in I'aitt, the must widely
uwd IHICIDIIITDHPS among rte-dormers throughout tho wnrld today.

IIY T0l' l-IIIH'I'S SIANIDAIHDIZE 0N SIIIIIE
Shuro mirriuphmuw are .1 mm", lrmg~term invmtment in your profes-
SIHIIJI (dYtCl. Thiy provide modem design and rr-Iiahility ol [)(IIOITTI-
AHCO to wch .4 degree that thvv will operate tor years and Hit {Cldlrl
thrrr irrrginal tirertmnmnrr- quality, Flttlllf_l'. all Shuro tnii :ophonrs are
glldfdrlILle tn hr; lr'r,"-�� trnm vlrrrtnml and merhanical (lotvrts tor one
full year from dgttr- nt I')l_It'('lT.i'~u(. Shun.) mumphonr-s are universally
recognized its the standard ot (TIMI-In by" tamed Lsiitgors and other
CPIPIJrittr's. llunrlrr'rls (it lhoumndx ol Sltttt't mltri')t)l1i)ne5 have lrec'n
in use trir mam. many years throughout the world-they haye ptoyc-(l
thmr (Il_)llll\' to provide: II_ILll)lt:-lff_t oprértition ovcr Inng pvriorls ot
timr», even when suhrrwtr-rl tn SPVPI'C rm}.

All ot thr- ITTICIUDIIIHIIH in thia ratalog [HP at thr: DYNNHIC type with
in'tprdumi-a to matih most musual instrumr'nt arnplitiera they are
ttttattir'tvrl hy heat, (old, or |1umu'lity-.mrl (.m hr: uwrl outclorm or
indoors,

Hrgh Irrxlwrl.rnir- [lulu-.g -.t.2ti*rl nthwwrar

AINDITT THE SIIIRE Dll1Il0Ill0NES

IN THIS ATALflfi

All mirrophunes shown in this «fatalng feature Dynarm'c ('artt'iclgr?'~,
a Lthrirlge typo mud almost universally by top-name touring per-
t'ormeru. Thin dynamic tautridgra offers excellent fidelity and nutput,
and is rugged enough to shrug ot't thr: abuses of the repeated set-ups
and take-downs faced nn extrnsivo tourQ.

Unless nthcrwiw stated, mirrnphnncs an: the high irnpodana' typo.
\thn very long (dhlr? runx are needed or when microphones must
matrh the low impedance inputs of (Ir-luv: thwtrc-stage sound
systems, luw impnrlanrc mi

Shure makm a Contplntr? series of line-matching tirin<,.tnrnmrs tr) CdSlly
convert high iinprdnnrc rnirfrirphrmes to low imprdanm. and low
Ifill)((ldl1CC microphones to high impedance. (See hark page.)

MICROPHONES:
BALL" TYPE . . . . ...................... 3

UNIDIRECTIONAL . . .................. 3-4-5-6-7-8

LOW IMPEDANCE . . . ............ 3-4-5
OMNIDIRECTIONAL ..................... ....8-9
VOLUME CONTROL MICROPHONES

CIRCUITRY ITEMS:
MICROPHONE MIXERS

MICROPHONE & MIXER ACCESSORIES:
WINDSCREENS ............................. 11
BOOMS . . . . .

DESK STANDS

FLOOR STANDS

GOOSENECKS

MIXER ACCESSORIES ..

REPLACEMENT CABLES

VIBRATION ISOLATION UNITS ............... 12