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Extracted text from McIntosh MC 2505 Owners Manual (Ocr-read)
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Page 2
The Mclntosh "will to perfection" requires that we probe
constantly into the unknown to bring the performance of our
electronic equipment closer to perfection than ever before.
This requires a constant and relentless search for low noise,
broad band conservative design with an ever lower distortion
factor. This is not required of ordinary equipment of average
designs. It is, for us, a costly but worthwhile scientific and
engineering effort. Our continuing research benefits our cus-
tomers with the almost complete lack of obsolescence and
the most reliable equipment ever made. It also means the
lowest long-range cost to you. Nearly all of the Mclntosh
equipment ever made is still useable, or in use, though it
may have been made twenty years ago.
GENERAL DESCRIPTION 2
TECHNICAL DESCRIPTION 2,3
LOCKING METERS 4
PERFORMANCE CHARTS 5,6
CHARTS 8
SPECIFICATIONS 9
IN A HURRY 10
INSTALLATION 11
TYPICAL HOOKUP 12
CONNECTING 13
BLOCK DIAGRAM 14
OPERATING 15
GUARANTEE 16
MC2505
Your purchase of a Mclntosh instrument
shows that you are a careful discriminat-
ing buyer. One who is interested in quality
performance, quality engineering, quality
manufacturing, and long trouble-free
equipment life. You can protect your in-
vestment by spending a few minutes read-
ing this owner's manual.
When you bought a Mclntosh, you bought
countless hours of musical pleasure and
superior performance. Enjoy it!
MC25O5
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CONTENTS
STEREO
POWER AMPLIFIER
SOLID
STATE
Page 4
The output stages are matched to the load by the Mclntosh auto-
former. The Mclntosh autoformer is carefully wound using Mcln-
tosh trifilar winding and interleaving techniques. Trifilar winding
and interleaving gives the transformers exceptional bandwidth.
The autoformers properly match the power transistors to 4, 8, and
16 ohm loads at all audio frequencies.
The use of the Mclntosh designed trifilar autoformer makes the
Mclntosh solid state amplifiers the only amplifiers that deliver
FULL POWER AT ALL SPEAKER IMPEDANCES. You have not
been power penalized for your choice of loudspeakers when using
the Mclntosh MC2505.
Another of the advantages of the autoformers is the 25 volt output
for a constant voltage distribution system. With the MC2505 sev-
eral sets of speakers can be operated independently throughout
your home.
To further insure reliability a special power output SENTRY MONI-
TORING CIRCUIT prevents failure of the power output transistors
due to excessive mismatch of the output. When your MC2505
operates normally the SENTRY MONITORING CIRCUIT has no
effect on signals passing through the power amplifier. If the
power dissipation should rise above normal operation, the SEN-
TRY MONITORING CIRCUIT restricts the drive to the output
transistors. The SENTRY MONITORING CIRCUIT acts instantane-
ously for any input signal or load combination. This arrangement
assures complete circuit reliability. Only Mclntosh gives you this
degree of protection.
POWER SUPPLY SECTION
There are three separate power supply sections. One positive and
one negative high current supply is used for the output stages.
The other positive supply is used for the driving amplifier stages.
All supplies are full wave and use silicon rectifiers. Adequate filter-
ing is used to assure an absolute minimum of hum. The power out-
put stage filter capacitors have very high capacity, which allows
full power output below 20 Hz. The power transformer is generous
in size and runs cool, even under heavy use.
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Page 5
Ordinary meters lack the capability of indicating
the short interval power in a sound wave. The
mass of the meter movement is too great to re-
spond to instantaneous changes in music pro-
gram material. Mclntosh superior engineering
has developed new circuitry that permits the
meters on the MC2505 to respond to the short
interval power in a sound wave to an accuracy of
98% of the true value. This is another Mclntosh
development that represents a major step for-
ward in the use of power level meters.
There are two circuits that give these meters
the indicating capability of the short interval
power in a sound wave. The first circuit is an
accelerating circuit that compensates for the
inertia characteristics of the meter movement.
Because the short interval power fluctuation is
so rapid, the eye might not perceive the instan-
taneous power reading. This caused the devel-
opment of the second circuit, which is a "time
stretching" circuit. The time stretching circuit
delays the movement of the meter needle at
peak reading for a few milliseconds.
With the aid of the CBS test record STR100, the
frequency response of your phono cartridge can
be measured. The graph on page 5 shows the
ideal RIAA curve using the CBS record STR100.
Follow these steps to plot the performance of
your phonograph cartridge.
1. Set the "METER RANGE SWITCH" to the
-20
position.
2. Play the 1000 Hz test tone recorded on
the CBS Test Record STR100 on your
phonograph.
3. Turn the "LEFT GAIN" control until the
left meter indicates "0."
4. Turn the "RIGHT GAIN" control until the
right meter indicates "O."
5. Write down the meter indication at each
frequency as the record plays.
6. Transfer the readings by frequency to
the graph.
7. The graph shows the ideal RIAA re-
sponse curve using the CBS #STR100 test
record. Compare your curve with the curve
on the graph. A deviation of 3 dB from the
ideal is acceptable. By making this check
at regular intervals, (for instance, every 6
months) any deterioration in the cartridge
or system will be quickly detected.
DYNAMIC PEAK
LOCKING METERS
A tape recorder can be checked in the same
fashion.
1. Use a standard frequency response tape
as the signal source.
2. Complete all steps outlined for phono
cartridges.
3. You now have a graph of the playback
characteristics of your tape recorder.
To find the record characteristics of the tape
recorder follow this procedure:
1. Record the CBS Test Record #STR100
on your tape recorder. Adjust the record
volume only on the 1000 Hz signal for
proper recording level. DO NOT ADJUST
THE RECORD VOLUME CONTROL DUR-
ING THE RECORDING.
2. Play back the tape just recorded. Com-
plete all steps outlined for tape playback
characteristics.
3. A comparison of the two curves will give
the recording characteristics of your tape
recorder. A deviation of 3 dB is acceptable.
Similar checks can be made on all program
sources in your stereo system. Follow the same
general procedure for any program source for
which a standard reference is available.
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