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Extracted text from McIntosh C 34 V Owners Manual (Ocr-read)
Page 1
IMPORTANT SAFETY INSTRUCTIONS
THESE INSTRUCTIONS ARE TO
PROTECT YOU AND THE MCINTOSH
INSTRUMENT. BE SURE TO
FAMILIARIZE YOURSELF WITH THEM.
1. Read all instructions - Read the safety and
operating instructions before operating the
instrument.
2. Retain Instructions - Retain the safety and
operating instructions for future reference.
3. Heed warnings - Adhere to warnings and
operating instructions.
4. Follow Instructions - Follow all operating and use
instructions.
WARNING: TO REDUCE RISK OF FIRE OR
ELECTRICAL SHOCK, DO NOT EXPOSE THIS
INSTRUMENT TO RAIN OR MOISTURE.
5. Power Sources - Connect the power supply only to
the type described in the operating instructions or
as marked on the unit.
6. Power-Cord Protection - Route power-supply cords
so that they are not likely to be walked on or
pinched by items placed upon or against them,
paying particular attention to cords at plugs,
convenience receptacles, and the point where they
exit from the instrument.
7. Ventilation - Locate the instrument for proper
ventilation. For example, the instrument should
not be placed on a bed, sofa, rug, or similar
surface that may block ventilation openings; or,
placed in a built-in installation, such as a bookcase
or cabinet, that may impede the flow of air
through the ventilation openings.
8. Heat - Locate the instrument away from heat
sources such as radiators, heat registers, stoves, or
other appliance (including amplifiers) that produce
heat.
9. Wall or Cabinet Mounting - Mount the instrument
in a wall or cabinet only as described in the
owners manual.
10. Water and Moisture - Do not use the instrument
near water - for example, near a bathtub,
washbowl, kitchen sink, laundry tub, in a wet
basement, or near a swimming pool, etc.
11. Cleaning - Clean the instrument by dusting with a
dry cloth. Clean the panel with a cloth moistened
with a window cleaner.
12. Object and Liquid Entry - Do not permit objects to
fall and liquids to spill into the instrument through
enclosure openings.
TO EXTERNAL ANTENNA
TERMINALS OF PRODUCT
POWER SERVICE
GROUNDING ELECTRODE SYSTEM
(reg. internal metal water pipe)
OPTIONAL ANTENNA
GROUNDING ELECTRODE
DRIVEN 8 FEET(2.44m)
INTO THE EARTH IF
REQUIRED BY
LOCAL CODES SEE
NEC SECTION 810-11
13. Power Lines - Locate any outdoor antenna away
from power lines.
14. Outdoor Antenna Grounding - If an outdoor
antenna is connected to the antenna terminal, be
sure the antenna system is grounded to provide
some protection against voltage surges and built
up static charge.
In the U.S.A., section 810 of the National Electrical
Code, ANSl/NFPA No. 70-1987, provides
information on the proper ground for the mast
and supporting structure, ground for the lead-in
wire to an antenna discharge unit, and size of
ground conductors, location of antenna-discharge
unit, connection to grounding electrodes, and
requirements for the grounding electrode.
For ground wire:
a) Use No. 10 AWG (5.3 mm2) copper No. 8 AWG
(8.4 mm2) aluminum, No. 17 AWG (1.0 mm2)
copper-clad steel, bronze wire, or larger as ground
wire.
b) Secure antenna lead-in and ground wires to
house with stand-off insulators spaced from 4 feet
(1.22 meters) to 6 feet (1.83 meters) apart.
c) Mount antenna discharge unit as closely as
possible to where lead-in enters house.
d) Use jumper wire not smaller than No. 6 AWG
(13.3 mm2) copper or equivalent when separate
antenna grounding electrode is used.
STAND-OFF
INSULATORS
ANTENNA
LEAD IN WIRE
BONDING
JUMPER
SERVICE ENTRANCE
EQUIPMENT
Contents
INTRODUCTION
SIMPLIFIED BLOCK
DIAGRAM
INSTALLATION
HOW TO CONNECT
FRONT PANEL CONTROLS
USING THE
PUSHBUTTONS
PERFORMANCE LIMITS
PERFORMANCE CHARTS
TECHNICAL DESCRIPTION
BLOCK DIAGRAM
4
5
6, 7
8, 9, 10
11, 12, 13
14
15
16, 17
18, 19
20, 21
Your C 34V Audio/Video Control Center
will give you many years of satisfactory
performance. If you have any questions,
please contact:
CUSTOMER SERVICE
Mclntosh Laboratory Inc.
2 Chambers Street
Binghamton, New York 13903-9990
Phone: 607-723-3512
Take Advantage of 3 years
of Contract Service...
Fill in the Application NOW.
MCINTOSH THREE YEAR SERVICE CONTRACT
An application for A THREE YEAR SERVICE CONTRACT is included with this manual.
The terms of the contract are:
1. If the instrument covered by this contract
becomes defective, Mclntosh will provide all parts,
materials, and labor needed to return the
measured performance of the instrument to the
original performance limits free of any charge. The
service contract does not cover any shipping costs
to and from the authorized service agency or the
factory.
2. Any McIntosh authorized service agency will
repair all Mclntosh instruments at normal service
rates. To receive the free service under the terms
of the service contract, the service contract cer-
tificate must accompany the instrument when
taken to the service agency.
3. Always have service done by a Mclntosh
authorized service agency. If the instrument is
modified or damaged as a result of unauthorized
repair the service contract will be cancelled.
Damage by improper use or mishandling is not
covered by the service contract.
4. The service contract is issued to you as the
original purchaser. To protect you from
misrepresentation this contract cannot be
transferred to a second owner.
5. Units in operation outside the United States and
Canada are not covered by the Mclntosh Factory
Service Contract, irrespective of the place of
purchase. Nor are units acquired outside the USA
and Canada, the purchasers of which should
consult with their dealer to ascertain what, if any,
service contract or warranty may be available
locally.
2
Page 10
fects the program selected by the RECORD selector.
These jacks are used to add a noise reduction or
any audio signal processing device. Be sure to
match the left to left and right to right channels
when connecting external processors.
The EXTERNAL PROCESSOR jacks have switching
contacts which allow the signal to pass through
them when there is nothing plugged into the jacks,
When an external processor is used, the program is
routed to the external processor from the EXTER-
NAL PROCESSOR TO jack and back by the EXTER-
NAL PROCESSOR FROM jack.
WHEN AN EXTERNAL PROCESSOR IS USED, IT
MUST BE TURNED ON FOR THE PROGRAM TO
BE HEARD THROUGH THE SYSTEM.
9. AUDIO OUTPUT:
The third field of connectors are marked AUDIO
OUTPUT. Three sets of jacks (VCR 1/TAPE 1,
VCR 2/TAPE 2, and TAPE 3) connect the program
selected by the RECORD input selector. The MAIN
set of jacks connect the program selected by the
LISTEN input selector and connect to the power
amplifier. Output to the two sets of jacks (SWITCH-
ED 1 and SWITCHED 2) controlled by the front panel
SPEAKER/OUTPUT 1 and 2 pushbuttons can be con-
nected to additional power amplifiers for remote
area listening.
The Left MAIN jack is to be connected to the
amplifier left input jack. The Right MAIN jack is to
be connected to the amplifier right input jack.
Two additional stereo power amplifiers may be
connected in the same fashion to the SWITCHED
OUTPUT jacks. Audio output signal is supplied to
these jacks only when the front panel pushbutton
SPEAKER/OUTPUT 1 and/or 2 pushbuttons are
pressed in. This arrangement is useful to turn the
program on or off to its separate amplifiers and
loudspeakers.
10. MONITOR AMPLIFIER:
The MONITOR AMPLIFIER provides power to
headphones. It may also be used to drive speakers.
The MONITOR AMPLIFIER will furnish 20 watts per
channel across 8 ohms or 12.6 volts RMS to a 600
ohm line. For operation, see MONITOR AMPLIFIER
page 13.
The input to the MONITOR AMPLIFIER can be
selected from either the RECORD program, the
LISTEN program, or from a third source connected
to the EXTernal INPUT jacks on the rear panel. The
input selector switch is on the top panel of the C 34V.
The EXTernal INPUT May be used for program
sources not originating in the C 34V. One use could
be to connect the output of a time delay device for
back channel speakers.
The output of the MONITOR AMPLIFIER is fed to
the front panel HEADPHONE phone jacks, to the
red and black posicontact push connectors and to
the jacks marked OUTPUT. Connect the left
speaker lead to the black COMmon push connector
and the red L terminal. Connect the right speaker
lead to the black COMmon push connector and the
red R terminal.
The OUTPUT jacks can be connected to drive a
low impedance (8 to 600 W) unbalanced line.
11. GROUND:
The ground (GND) post on the rear panel is pro-
vided primarily for a turntable or record changer
that has a separate ground lead in addition to the
signal leads.
12. AC POWER:
Plug the preamplifier AC power cord into a 120
volt 60 Hz wall outlet. The plug blades are polariz-
ed so be certain the plug is fully inserted in the
outlet to prevent blade exposure.
CAUTION: TO PREVENT ELECTRIC SHOCK, DO
NOT USE THE (POLARIZED) PLUG ON THIS UNIT
WITH AN EXTENSION CORD, RECEPTACLE, OR
OTHER OUTLET UNLESS THE BLADES CAN BE
FULLY INSERTED TO PREVENT BLADE EXPOSURE.
Three types of AC power outlets are provided on
the back panel of the C 34V. Three are black, two
are red, and one is green.
The black outlets are switched on or off when the
C 34V is turned on and off. Use these to provide AC
power to amplifiers, CD players, or other accessories.
The power capacity of all the outlets, totalled, is 1440
watts. The green outlet has a maximum capacity of
100 watts. For power consumption above 1440 watts,
it is necessary to add a Mclntosh SCR 2 (SPEAKER
CONTROL RELAY). The SCR 2 has two AC power
outlets that provide additional capacity of 1800 watts
switched on or off by the C 34V. Use these outlets to
supply AC power to amplifiers or other components
whenever the total load to be switched exceeds the
C 34V rating of 1440 watts.
The red outlets are on at all times and are used
with accessories that have their own power switches.
For example, a VCR should be plugged into one of
these outlets for it to be able to record TV programs
when the main audio system is turned off.
HOW TO CONNECT 9
Page 13
expander or as a compressor. Expansion can restore
the dynamic range limited by the process of record-
ing both records and tape or broadcasting of music.
Compression decreases dynamic range. It can be
used for making tape recordings or for listening to
background music. The Compandor can be
switched to either the RECORD or LISTEN lines, by
means of the COMPANDOR pushbutton.
The Compandor System has four controls. The
concentric three-position COMPANDOR switch and
RATIO control are located on the front panel. The
LEVEL MATCH control and SPEED selector are lo-
cated on the C 34V top panel.
COMPANDOR SELECTOR
The outer COMPANDOR knob can be set to EX-
PAND, OFF, or COMPRESS. When the COMPAN-
DOR switch is in EXPAND or COMPRESS, a red
light will appear above the LISten-or RECord COM-
PANDOR pushbutton. In the center OFF position,
the Compandor System is switched out of the circuit
and the lights will be out. When the Compandor is
not used, the selector should be placed in the OFF
position.
RATIO CONTROL
The inner RATIO knob is used to control the
amount of expansion or compression.
LEVEL MATCH
The LEVEL MATCH control on the top panel is
used to adjust the listening level when the expander
or compressor is switched in or out of the circuit.
SPEED
The SPEED selector on the top panel is used to
control the rate at which the Compandor System re-
sponds to signals. By switching from FAST to NOR-
MAL to SLOW, a more gradual rate of change in ex-
pansion or compression occurs. For music with per-
cussive instruments, such as piano, drums, guitar,
etc., use NORMAL or FAST. In the FAST mode, the
Compandor System follows changes quickly but will
track low frequencies less accurately. Non-
percussive music and voice require slower speed.
At SLOW speed the low frequency tracking is ac-
curate, but the rate of response is slower. The NOR-
MAL position is best suited for most program
material.
USING THE COMPANDOR AS AN EXPANDER
When the COMPANDOR selector switch is in the
EXPAND position, the RATIO control is used to
select the amount of expansion. Full counterclock-
wise rotation corresponds to a ratio of 1.0. This
means that the dynamic range of the expander out-
put is the same as the dynamic range of its input.
With the VOLUME control at a normal listening
level, the RATIO control is turned clockwise, the
output dynamic range becomes greater than the in-
put. Set the RATIO control to the desired expansion
(usually between 1.2 and 1.5). Now switch the
COMPANDOR selector knob between EXPAND and
OFF. A change in the average listening level will
usually be heard. Adjust the LEVEL MATCH (on the
top panel) control until the average listening levels
match as closely as possible when in EXPAND and
OFF. After this adjustment, you will notice that with
the
expander
on,
loud
passages
will
be
louder
and
soft passages will be softer tending to make any
background noise quieter.
When the RATIO control is at the fully clockwise
position, it corresponds to a ratio of 2.0. The output
dynamic range is then twice the input dynamic
range. This setting is extreme for most program
material.
USING THE COMPANDOR AS A COMPRESSOR
When the COMPANDOR selector switch is in the
COMPRESS position, the RATIO control is used to
select the reduction in dynamic range desired. Full
counterclockwise rotation corresponds to a ratio of
1.0. The compressor output and input dynamic
range will be the same. Set the VOLUME control to
a normal listening level. As the RATIO control is
turned clockwise, the output dynamic range be-
comes less than the input range. Set the RATIO
control to the desired amount of compression.
Switch the COMPANDOR selector knob between
COMPRESS and OFF. A change in the average lis-
tening
level
will
usually
be
heard. Adjust
the
LEVEL
MATCH control until the average listening levels
match as closely as possible when switching be-
tween COMPRESS and OFF. After this adjustment,
you will notice that with COMPRESS on, loud
passages will be softer and soft passages will be
louder.
When the RATIO control is at the fully clockwise
position it corresponds to a ratio of 2.0. The output
dynamic range is then one half of the input range.
This setting can be useful to create highly compress-
ed tape recordings particularly useful in noisy loca-
tions such as automobiles, etc.
Two examples for using the expander are:
1. To reduce background noise (hum, hiss or
scratch):
a. Select the desired program source with the
12 FRONT PANEL CONTROLS