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Page 1
HELPFUL HINTS
1) NO SOUND FROM AMP: The MUTE function has been inadvertently engaged, speakers
have been improperly connected or Effect Loop has been improperly connected.
2)NO HIGH FREQUENCIES: Tweeters or midrange drivers have been damaged from too
much power.
3)WEAK BASS: The speaker systems are wired out of phase to each other. To correct,
reverse the wires on one of the speaker connectors.
4) DIR XLR HUM: Try switching the rear GND LIFT switch IN or OUT. Check for noise from
external effects or bad cabling.
1. INPUT JACKThe 1/4 INPUTjack accommodates both passive and active instruments. The high imped-
ance Class A input stage offers enough headroom to perform without clipping even when used
with high output active basses. Input gain is adjusted with the DRIVEcontrol (6) and the ACTIVE
INPUTswitch (5).
2. VOLUME CONTROLThe VOLUMEcontrol adjusts the output level to the speakers. Adjusting the DRIVEcontrol
will also change your output level.
3. MUTE SWITCH / LEDThe MUTEswitch will stop all output signals with the exception of the TUNER and EFFECT
SENDsignals. The MUTEfunction can also be remotely controlled from the rear FOOTSWITCH
jack using the optional FS-22footswitch. The blue LED next to the MUTE switch will light when-
ever the amp is muted. The footswitch will have no effect if the front panel MUTE switch is
on in the UP position.
4. CLIP LEDThe red CLIPLED indicates that the input is near clipping. Since the B1500/B500 preamp is
designed with several Class Ainput gain stages and the ability to be overdriven, the CLIPLED
monitors only the first input stage and will not indicate when the DRIVEcontrol is set to over-
drive the preamp. To avoid input clipping, reduce the bass level or reduce the output level of
devices placed between the bass and the input jack.
5. ACTIVE INPUT SWITCH / LEDThe ACTIVE INPUTswitch is used to match the input gain of the amp to instruments that
contain active electronics. If the preamp is being prematurely overdriven, flip the ACTIVE INPUT
switch to the ON position. If the output of your bass is low and you are not getting enough
volume from the speakers, be sure the ACTIVE INPUTswitch is OFF and increase the DRIVE
control. The blue LED indicates that the ACTIVE INPUT mode is ON.
6. DRIVE CONTROLThe DRIVEcontrol adjusts the input gain to the preamp and the level of harmonics in the
signal. With the DRIVEcontrol set low, both input gain and harmonics are at a minimum for
clean output. Increasing the DRIVEcontrol causes the Class A gain stages to introduce more
harmonics resulting in a rich sound typical of vintage tube amps. With the DRIVEcontrol set
near maximum, overdrive sounds can be produced. The DRIVEcontrol can be used with the
ACTIVE INPUTswitch to get the sound you want. To reduce preamp overdrive while retain-
ing the harmonics of a high DRIVElevel setting, turn the ACTIVE INPUTswitch ON or reduce
the level on the bass guitar. Turning the ACTIVE INPUTswitch OFF will make the preamp over-
drive easier.
7. TONE CONTROLSThe six TONE CONTROLS on the B500/B1500 are designed with the center frequencies most
requested by professional bass players. To start, set each control at its center flat position (no
tones are cut or boosted). Raise or reduce each control to get your desired tone.
The SUB BASScontrol is centered at 30Hz.
The BASScontrol is centered at 100Hz.
The LO MIDcontrol is centered at 300Hz.
The MIDcontrol is centered at 1kHz.
The HI MIDcontrol is centered at 3kHz.
The TREBLEcontrol is centered at 10kHz.
8. EFFECT LOOP SWITCH / LEDThe EFFECT LOOP switch engages the rear effects loop connections. The effects loop can
be turned on with the EFFECT LOOPswitch on the front panel or by using the optional FS22
footswitch. When the front panel switch is in the UP position, the loop is engaged regardless
of the footswitch. The status of the effects loop is indicated on the front panel by the BLUE
LED next to the EFFECT LOOPswitch.
See EFFECT LOOP SEND/RETURN JACKS #13.
9. AMP CLIP LEDThe AMP CLIPLED indicates that the power amp is being driven too hard . Reduce the
volume level.
10. PROTECT LEDThe PROTECTLED indicates that the power amp has gone into one of its protect modes.
11. POWER SWITCH / (PROTECT RESET)Push the upper portion of the POWER SWITCH to turn the amplifier on. If the large blue
power indicator is on but no sound is coming out of the speakers, the amp may have gone
into one of its protection modes. To reset the amp, turn the power off for 30 seconds and then
turn the amp back on. If the problem persists, check for; a) The speaker impedance is too low
for the amp, b) bad speaker cable, c) damaged speaker or, d) blocked rear fan intake.
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FRONT PANEL CONTROLS
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Page 2
12. COOLING VENTSThe rear vents are for cooling the internal power amps. Provide a minimum 3 rear clear-
ance for adequate ventilation. Blocking the air flow to these vents will cause the amp to ther-
mally protect and turn the speaker relay off. If this happens, clear the obstruction first, keep
the power on and turn the volume down allowing the amp to cool. The amp will engage the
speaker relays when cooling conditions return to normal.
13. EFFECT LOOP SEND/RETURN JACKSTheEFFFECT LOOP- SENDand RETURNjacks are used to connect external effects into the
B500/B1500 signal chain. The loop is inserted after the DRIVE and TONE CONTROLS but before
the VOLUME control. To use the effects loop, connect the SEND jack to the input of the effects
unit and connect the RETURNjack to the output of the effects unit. The effects loop can be
turned on with the EFFECT LOOPswitch on the front panel or by using the optional FS22footswitch.
When the front panel switch is in the UP position, the loop is engaged regardless of the footswitch.
The status of the effects loop is indicated on the front panel by the BLUE LED next to the EFFECT
LOOPswitch.
14. DIRECT OUT XLRThe DIRECT OUTXLR is a balanced output that can be configured in a number of different
ways. The PRE / POSTswitch is used to select a pre or post preamp feed. In the PRE(OUT)
position, a direct feed is taken off of the INPUTjack and is similar to using a direct input box
at the bass guitar output. In the POST(IN) position, the feed is post the preamp section and
contains all of the signal that is sent to the power amp and speakers. To set the output, use the
DIRECT OUT LEVEL control. A GND/LIFTswitch is also available for the DIRECT OUT XLR jack.
Set this switch for the lowest noise when using this output. When the GND/LIFTswitch is
depressed, the signal ground is lifted from this jack thus eliminating any ground loops between
the B500/B1500 direct out and the gear it is feeding.
15. FOOTSWITCHConnect the optional FS22footswitch to remotely control the MUTE function and the EFFECTS
LOOP bypass. The first button on the FS22turns the MUTE on and off and the second button
turns the EFFECTS LOOP on and off. Any standard footswitch with a stereo plug will work.
16. TUNER LINE OUT JACK (UNMUTED)The TUNER LINE OUTjack is provided as a place to hook up a tuner. This output is unaf-
fected by the MUTE function so that you may tune your bass quietly.
17. SPEAKER OUTPUTSThe B500/B1500 amp contains four 1/4and two SPEAKON ®speaker output connectors. Multiple
speakers can be attached to either the 1/4 or SPEAKON®jacks so long as the total impedance
is not below 2-„¦. See SPEAKER COMBINATIONS AND OHMS chart.
19. INTERNAL FUSEIf there are high AC voltage surges or if the amp is used with excessive loads, the internal
fuse will protect your amp from damage. If the fuse fails, remove the cover and replace with
the proper replacement fuse. For 120 VAC models; B500-15 AMPand B1500-25 AMP250VAC
slow blow.
240 VAC models; B500-10 AMPand B1500-15 AMP250 VAC slow blow.
20. AC LINE CORDAll B500/B1500 Series bass amplifiers are supplied with detachable three conductor AC line
cords. Make sure the cord is securely inserted into the back of the unit. Never defeat the ground
of the AC line cord. If you must plug into a two prong outlet, use a quality 3 to 2 prong grounded
adapter and properly ground it.
FOR MAXIMUM OUTPUT:A. To get more output, use multiple speakers or enclosures. Every time you double
your speakers, your acoustic output goes up by a factor of four. Load the amplifier down
to its lowest minimum impedance for maximum RMS power.
B. To get the highest output from your B500/B1500 bass amp use two 4 ohm speak-
ers. Plug two SPEAKON
®cables into the rear SPEAKER OUTPUT connectors or daisy-
chain another SPEAKON®from speaker to speaker. Two 4 ohm speakers will give you
a total impedance of 2 ohms, which is the maximum power from your amp. If you use
more than two 4 ohm speakers, your amp will shut off and go into the protect mode.
To reset, turn your amp off and connect only two 4 ohm speakers.
C. SPEAKON
®cables are recommended for your bass rig because of their high current
capacity. While standard 1/4 speaker cables will work, the CARVIN 12 GA SPEAKON ®
cables will allow higher currents to pass through the cable to extract every watt from
your B500/B1500 bass amp.
REAR PANEL CONTROLS
(INTERNAL FUSE)
SPEAKER COMBINATIONS and OHMS (
-„¦):
Four x 8-„¦cabinets = 2-„¦(OK)
Three x 8-„¦= 2.66-„¦(OK)
Two x 8-„¦= 4-„¦(OK)
Two x 4-„¦= 2-„¦(OK)
One 8-„¦and One 4-„¦cabinet = 2.66-„¦(OK)
Two 8-„¦and One 4-„¦= 2-„¦(OK)
One 2.66-„¦and One 8-„¦= 2-„¦(OK)
Two x 2-„¦= 1-„¦(no)
Three x 4-„¦= 1.33-„¦(no)
Two x 4-„¦and One 8-„¦= 1.6-„¦(no)
The B1500 is a very powerful amplifier. As with any amplifier, make sure your speak-
ers are suitable for the available wattage. Driving speakers with too much wattage will
cause them to distort and eventually fail. If distorted sound is coming from the speak-
ers, reduce the volume until the distortion stops.
12 16 13 14 15 17 19
20cEFFECT LOOP
RETURN SEND
FOOTSWITCH TUNERTRS JACKSLEEVE - GND RING - MUTE TIP - EFFECT LOOPA USMADE IN THEB1500SPEAKER OUTPUTSPIN 1-“ NEG
PIN 2+ & 2-“ not used PIN 1+ POS1900W 2 OHMS 1250W 4 OHMSSERIAL NUMBER2 OHMS MIN.LINE OUT120V 60Hz 1500VA
INTERNAL FUSE700W 8 OHMSBASS AMPLIFIERqUNMUTEDDIRECT OUTLEVELGND
POST LIFTPREc