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if_ you're not using a centerclﬁmpi speaker, plaoe the ‘mi Mode" 'suiritche in the top or “Phantom" position.
This position spiltstl‘gsPr‘ " gr centerehanpeioutputpetlryeenpoth rnain speakers tosynthesizeacenter
channeiimagei . _ . .
aneiréallentinterirnstepincreatingahdmetheatersystem. ltallowsyouto benefit
“W position wovioos
from the improved locatwatloriinheraint irrPro Logic deoodmg i-iowever,fthe “Phantom” position is not as effective
as using a center ohannetspeeker: tnttiarsomeimagss are nora- vague and they shift as you move about the morn
ratherthéribeingﬂoiekéﬁ”: th TV emailesm’ongiyreoomnendacenterohannelspeaker.YourADCOMdealer
will be} pleased
Rearspeekei‘sare * ‘ enmoehmaterial. However, the rearoutputofthe
Pro Logic deciles? ,,‘ W , smakers. atieast when reproducing Pro Logic
processed Wsonreaom warm tron . tr: mien higher than 7 kHz
This has led some peoples assessments speakers oan be memensiye “armaments" In a home theater
system. Such is deﬁnitely NCﬂ'fthe ease: While Pro Logic processedfrear channel information doesn’t contain
extended bass or treble, thssurrotiincl speakers should have fairly ﬂat frequency response over the required .
bandwidth. lnexpénélit‘e speakers mﬁibhww maven 0r ”peaky” iespor res that can aiter the effects intended
by the creators timothy Surround ’é' Material. ; .
Another argunmn’t‘e‘gainswery inexpensive suirround speakers is that the GSP—SGDis designed with two operating
modes ("5 Channel Matrix“ and ”SvChan‘nel Stereo”) that send full-bandwidth signals to the rear channels. Here.
severe speaker limitations Will be avert more obvious and detrimental. Again, your ADCOM dealer will show you
appropriate choices . . W ' g .
Onoeyou‘veohosenyourrearehannéispeakersﬁnnextissueis placement-where doyou putthem? Unfortunately
there are no hard and fast miest WWW life easier here. ﬁene‘raltyi the surround speakers should not be aimed
directly at you. Oo‘mrnon practice h‘as‘thern Mdeiy sbanedhigh on the rear wall of your entertainment room. A
variation? Placement on thesidewalls slightiybehind and above yourfayorite listening and watching position. some
experimentation will probably be
here excepts: put out that ihis is u‘amnci‘ar‘d safetyfprmodure designed to protect amplifiers,
speakersahdgofoourseiyomearsinhte unlikew eventot amis-matchedoonnection or amalfunctioning component.
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When you plug the GSP—Sao into an AC outlet. an intemal microprocessor automatically activates to control initial
operation. Pushing the front panel Tower" switch. or the “Power" button on the rer'note controllerm turns the
unit cm The mwimrw LED”Qchanges from yellow (standby status) to red (fully operational status.) the
red LEDohﬂwe‘ﬂastﬂtVohrme" control Oturns on. and all processorand ampliﬁer stages arelulty energized. After
a brief interval toin‘sure stable operation, relays connect the line level stages to the rear panel RCA jacks and power
ampliﬁerinputs Notethat Woes not place relays at the outputofthe amplifiersthemselves. Ouroons‘rderable
experience suggests that amplifier output relays ineyitably malfunction or degrade sonic performance.
WhenmeG$P¥5601sturnedoir.tne‘reiaysopen irnmecriaieiyto muteeillihooutputs, includingtheintemal connections
‘ ‘ to the power atriplitiérs. T1hlsproté¢tsagafiust any transom pops that they be unsettling.