Kenwood Hifi Stereo 1977 Catalogue

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Kenwood Hifi Stereo 1977 Catalogue

Extracted text from Kenwood Hifi Stereo 1977 Catalogue (Ocr-read)


Page 1

TRI.

HI - Fl STEREO
1977 CATALOGUE

Page 2

Contents

Amplifiers/Tuners ...... 5, 6. 7, 8, 9
Loudspeakers ........ 10
Receivers .......... 11. 12, 13, 14
Turntables .......... 15. 16. 17
Cassette Decks ....... 18, 19
Headphones ......... 18, 19
Systems ........... 20. 21. 22. 23

This brochure is designed to enable you
to acquaint yourself with the many impor-
tant aspects of Trio high fidelity equip-
ment, before visiting your Trio dealer.

The varying technical knowledge of hifi
enthusiasts has, as far as possible, been
taken into consideration.

For your guidance the centre pages of
this brochure contain a complete sum-
mary of data enabling you, at a glance,
to decide which model is right for your
particular requirement.

Trio - Progress
and New Technology.

The Trio product range offers you a wide selection of HiFi equipment
specifically designed to cater for even the most exacting enthusiast.Trio have
succeeded, by using their advanced technological resources and latest
production methods, in producing a range of realistically priced high grade
equipment that is among the best on the world market today.

From the sensibly priced KA-1 500 amplifier, right up to the sophisticated,
high-powered Model 600, all Trio models incorporate the same design
policy- the best possible cost/performance ratio, precision engineering

and utter reliability.

Your aeeurance of quallty
Formed in 1946. the Trio Corporation has gained
an enviable reputation for Its development and
manufacture of high class equipment.
Trio engineers consider it their duty to build
products with the greatest precision. They only
use units and components which are totally reli-
able In operation and possess a long working
life. Each individual piece of equipment is rig-
orously tested and undergoes strict final inspec-
tion before it qualifies for the "passed" mark.
and is despatched to the end user.
This is your assurance of many years of trouble
free operation.

The Trlo Guarantee
Our confidence in Trio products has led us to
introduce a guarantee system which we feel
offers very fair protection to our customers'
interests.
3 years for all loudspeakers
2 years for all receivers, amplifiers and tuners
1 year for turntables and cassette equipment
This covers not only spare parts but labour as
well, and we state on the guarantee card that:
"This guarantee in no way interferes with your
rights as a purchaser under Common Law".

Strict callbratlon methode eneure honeet

epeclflcatlona

Trio does not believe in using the "most con-
venient calibration methods to obtain visually
impressive data. For example: DIN FM sensi-
tivity values "look better" than lHF (Institute of
High Fidelity. U.S.A.) values. An lHF sensitivity
of 1.5 microvolts is therefore, in reality, better
than a DIN 1.5 microvolts sensitivity. Another
example: Trio amplifier power output ratings do
not relate only to a measuring frequency of
1000 Hz, but covers the whole audio range of
20 Hz-20,000 Hz.

Convenlence of operation
Every Trio product comes complete with a well
designed, detailed instruction manual. The oper-
ating and control functions are clearly set out
and fully explained, thus enabling you to use
your Trio equipment to its full potential.

Senelble, functlonal etyllng
The aim of Trio's design team was to create a
styling concept which visually reflects the high
level of technology present in all Trio products.
Devoid of unnecessary ornamentation, the styl-
ing is purely functional and, as such, creates a
professional effect which, in itself, is stylish.

The High Fldellty oblectlve
Whether you like listening to classical music.
jazz, organ music or progressive rock, every
piece of Trio equipment will remain true to the
high fidelity objective.
This, of course, is the reproduction of program-
me material in a manner as close as possible
to the original sound. Trio amplifiers ensure
natural, uniform, well located sound right across
the audible hearing range of 20 Hz-20 KHz.
Because the tone colour of every musical
instrument is determined by the number and
volume of its overtones or harmonics, it is vital
that these do not suffer from frequency blend-
Ing".
If an instrument gives out a soft, bright, hard or
velvety tone, it must remain thus when repro-
duced. This also applies to vocal reproduction.
Therefore, particular attention is paid to any
adverse effects which may interfere with tonal
accuracy; these include harmonic, intermodu-
Iation and phase distortion.

TRIO
right-deity